In less than 20 years, and with five feature films under her belt, filmmaker Sofia Coppola has amassed a rather small but powerful slate of motion pictures. Small though it is, her filmography is a charged batch of feminist expression that tells the world she isn’t ready to unleash her next expression until she is good and ready. So it is that we come to her sixth feature, The Beguiled, a remake of the 1971, Don Siegel-directed, Clint Eastwood-starring thriller about the dangers of misogyny in the days of the American Civil War. As with her previous works, it’s an immaculately crafted and powerful drama of human interaction and survival in this male-dominated world, and, once again just like her previous efforts, The Beguiled is a phenomenal ›››
Continue reading Review: Sofia Coppola’s ‘The Beguiled’ is a Powerhouse Adaptation
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