Hit me baby one more time.
Poor Sierra Knox. She lived her life as a successful racing car driver, and along with her father was a powerful figure within Kronstadt Industries, a tech firm making waves in the robotics field. She had it all: fame, money, power, and a name that made her sound a bit like a baddie from a Bond film. It’s everything a girl could ask for. And then out of nowhere an assassin dressed like a pink flamingo kicked her down an open trap door to her death. The ignominy of it all. Kicked down a trap door by a pink flamingo. He got away with it, too. “An accident,” they called it. Nobody ever suspects the pink flamingo.
In a game that takes itself seriously, an amnesiac killer hunting down members of a cabal secretly pulling the strings on world politics from behind the scenes would be even more eye-roll inducing than the last season of Prison Break. Rather than settling for being a po-faced techno thriller, Hitman 2 – mercifully – knows exactly how ludicrous it is, embraces the absurdity, and at times, goes full tilt into black comedy territory. Murder has rarely been this amusing.
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